- 70
Alexandra Exter
Description
- Alexandra Exter
- Nudes in an Emerald Forest with Cello
- indistinctly signed in Latin l.l.
- oil on canvas
- 66 by 71cm, 26 by 28in.
Provenance
Thence by descent
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Ezratty had always had a keen eye for design. His smart Paris boutique supplied fabrics to the leading couturiers of the day, including Christian Dior and he cut a dash driving through the streets of Paris in his Delahaye convertible. He designed the interior of his immaculate apartment in the rue Médéric around the pieces in this collection, including much of the furniture and a futuristic bar disguised in a wall.
With works in oil and on paper including examples of theatre and book design this collection showcases the scope of Exter’s talent and the sheer variety of the work she was producing in Paris in the 1930s.
LOT NOTE
Music and dance are to some extent present in all the works in this collection. Even if static, the figures often appear to have been caught mid-movement, and there are numerous musical instruments. Much as the guitar and violin had been favoured motifs of the Cubists, the ‘cello, which here appears in Nudes in an Emerald Forest with a Cello, was of the Purists.
This synthesis and incredibly broad knowledge of all of the arts, as testified to by her former pupils, was one of Exter’s most defining features as an artist, but it is also particularly Russian, in the poet Alexander Blok’s 1921 sketch Without a Deity, Without Inspiration he described it thus: ‘Painting, music, literature, philosophy, religion, social activity, even politics, are indivisible in Russia. Together they form a united and powerful force which carries the precious burden of our national culture.’