Anonymous American Photographer

half-plate daguerreotype, with a modern seal, in a thermoplastic case, late 1840s or early 1850s

Acquired from Mike Reffie, New York, 2004

Stanley B. Burns, Patients & Promise: A Photographic History of Mental And Mood Disorders, Volume 2, Hospital Care (New York: The Burns Archive Press, 2006), pl. 2

Stanley B. Burns, Mirror Mirror: The Burns Collection Daguerreotypes (New York: The Burns Archive Press, 2012), pl. 121

This half-plate daguerreotype delivers impressive clear architectural detail. There is an irregular-shaped abrasion at the center. As is visible in the catalogue illustration, there is uneven discoloration in the upper sky area. Faint discoloration at the lower edge is only visible upon close inspection. Under raking light, scuffs and scratches are visible overall.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The building in this daguerreotype has been identified as the Carmel Collegiate Institute in Carmel, New York.  Founded by James Raymond in 1848, the institute was opened in September 1851.  The building was refurbished and sold in 1866 to Daniel Drew, who renamed it the Drew Ladies’ Seminary.  The original building was destroyed in a fire in 1904. 

Sotheby's wishes to thank Sandra Markham, Yale University Library, for her assistance in researching this photograph.