- 22
Henri Cartier-Bresson
Estimate
5,000 - 7,000 GBP
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Description
- Henri Cartier-Bresson
- 'Francis Bacon, London', 1971
- Gelatin silver print
Silver print, printed later. Signed in ink and with the photographer's blind stamp in the lower margin.
Provenance
Directly from the artist
Literature
Henri Cartier-Bresson, Tête à Tête, London, Thames and Hudson, 1998, ill. pl. 75;
Peter Galassi et al., Henri Cartier-Bresson: The Man, the Image and the World, London: Thames & Hudson, 2003, p. 183, pl. 239.
Peter Galassi et al., Henri Cartier-Bresson: The Man, the Image and the World, London: Thames & Hudson, 2003, p. 183, pl. 239.
Condition
This print is in overall very good condition. With light retouching marks throughout the print, only visible in raking light. The print has been adhered to the mount with tape at the top corners on the reverse.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Considered to be a master of candid photography, Cartier-Bresson’s photographs of the artists Francis Bacon and Giacometti demonstrate his ability to photograph a portrait, without appearing contrived. This photograph of Francis Bacon was taken at his Reece Mews studio where he worked intensely for hours on end. The artist leans in to the photographer, appearing to be in mid conversation. Whilst he seems relaxed and engaged with the photographer, he stares directly into the lens. It is clear he is aware that the camera is there, yet Cartier-Bresson captures a very natural moment, as if he and Bacon are alone without the presence of the camera, or viewer.