Thomas Patch

Commissioned by John Apthorp (1730–1772) of Massachusetts, in Florence in January 1764;
With Trafalgar Galleries, London;
Anonymous sale ('Property of an American Corporation'), New York, Sotheby's, 23 January 2003, lot 48.

F. J. B. Watson, 'Thomas Patch (1725–1782), notes on his life, together with a catalogue of his known works', Walpole Society, vol. XXVIII, Oxford 1940, pp. 23, 34, 41, no. 36;
L. Salerno, I Pittori di Vedute in Italia (1580–1830), Rome 1991, p. 177, fig. 50.1.

The canvas has been relined. The varnish is relatively clear and the paint surface is clean. Under ultra violet inspection the varnish is revealed as uneven. There is a small area of minor spot retouching in the lower right. There is one circular area of restoration, 3 x 6 cm, in the rocky outcrop on the left hand side. Overall the painting is in very good condition. The work si offered in a carved and gilt wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This picture was commissioned with three other harbour scenes on 1 January 1764, as noted in Apthorp's diary: 'January 1st 1764 agreed with Mr. Patch for four landscapes the size of Sir Horace's in the great room, for 50 sequins to be done in three months'. Apthorp had been married to Sir Horace Mann's niece Alicia, however she had died of an illness in Gibraltar when they were en route to Italy. He arrived in Florence in January of 1764, and was hosted by Mann. 

John Apthorp was one of only a small number of American Grand Tourists known to have travelled through Europe in the eighteenth century. He was a passionate collector of art and in addition to the works by Patch, commissioned a portrait from Angelica Kauffman while on his tour.¹ Apthorp was introduced to Thomas Patch through Sir Horace Mann; Mann and Patch were such famously good friends that they were reputedly never out of each other’s houses 'a whole day'.² They are in fact depicted together in Johan Zoffany's The Tribuna of the Uffizi, discussing the merits of the Venus of Urbino.³ 

Patch had gained a reputation at this time for being a very capable caricaturist and depicted a great number of the numerous English tourists that passed through Florence at this time. Apthorp features in one entitled The Golden Asses,⁴ held at the Lewis Walpole Library, and is the sixth figure from the left. The painting takes its name from a golden donkey upon which Patch sits. This is turn is inspired by a poem by Machiavelli warning against getting too close to this 'rough and obstinate herd'.

1. Sold New York, Sotheby's, 30 January 2014, lot 299.
2. See F. J. B. Watson, 'Thomas Patch (1725–1782), notes on his life, together with a catalogue of his known works', Walpole Society, vol. XXVIII, Oxford 1940, p. 19
3. Royal Collection, inv. no. 406983. See, Grand Tour, The Lure of Italy in the Eighteenth Century, A. Wilton and I. Bignamini (ed.), London 1996, p. 27, fig. 4, reproduced.
4. See, Wilton and Bignamini 1996, p. 85, cat. no. 41, reproduced.