104
104

THE PROPERTY OF A PRIVATE COLLECTOR

Hendrick van Balen the Elder, Jan Brueghel the Elder
THE FEAST OF THE GODS, POSSIBLY THE WEDDING OF PELEUS AND THETIS
Estimate
80,000120,000
JUMP TO LOT
104

THE PROPERTY OF A PRIVATE COLLECTOR

Hendrick van Balen the Elder, Jan Brueghel the Elder
THE FEAST OF THE GODS, POSSIBLY THE WEDDING OF PELEUS AND THETIS
Estimate
80,000120,000
JUMP TO LOT

Details & Cataloguing

Hendrick van Balen the Elder, Jan Brueghel the Elder
ANTWERP 1575 - 1632
THE FEAST OF THE GODS, POSSIBLY THE WEDDING OF PELEUS AND THETIS

Provenance

Don Alfonso de Rojas, Alicante, 1928;
Private collection, Switzerland, 1998;
Private collection, France, 2004;
With Galerie Bernheimer, Munich, by 2007.

Literature

K. Ertz and C. Nitze-Ertz, Pieter Brueghel il Giovane (1564–1637/8): Jan Brueghel il Vecchio (1568–1625): tradizione e progresso: una famiglia di pittori fiamminghi tra Cinque e Seicento, exh. cat., Lingen 1998, p. 196, under cat. no. 57, reproduced fig. 1;
K. Ertz and C. Nitze-Ertz, Jan Brueghel der Ältere (1568–1625). Kritischer Katalog der Gemälde, Lingen 2008–10, vol. II, p. 811, cat. no. 406, reproduced in colour p. 813.

Catalogue Note

Hendrick van Balen turned to the subject of 'The Feast of the Gods', a theme that originated in antiquity and saw particular popularity in the last decades of the sixteenth century in Northern Europe, on a number of occasions in collaboration with both Jan Brueghel the Elder and Jan Brueghel the Younger.

Klaus Ertz attributes this jewel-like painting in large part to Van Balen, while acknowledging the hand of Jan Brueghel the Elder in the small landscape and still life details. He suggests that this was possibly the preliminary version for the composition which is repeated almost exactly in a larger copper, signed by Van Balen, in which the number of figures is slightly reduced and the table is brought further toward the edge of the picture plane (Swiss private collection).1 Ertz dates both paintings to circa 1608, following other collaborative works of similar subjects at this time, such as The Wedding Banquet of Bacchus and Ariadne (Gemäldegalerie, Dresden; inv. no. 919), which likewise shares many compositional similarities.2 

1. 29.5 x 41.3 cm.; see Ertz 2008–10, p. 811, cat. no. 405, reproduced in colour p. 812. In Bettina Werche's monograph, the entry on the Swiss painting lists a copy, of similar dimensions to the present work, as having been offered in Paris, Drouot, 28 March 1990, lot 91, but no painting matching this description or dimensions appears to be listed in the auction catalogue. See B. Werche, Hendrick van Balen (1575–1632): Ein Antwerpener Kabinettbildmaler der Rubenszeit, Turnhout 2004, vol. I, p. 183, under cat. no. A117.
2. See Ertz 2008–10, pp. 690–94, cat. no. 337, reproduced in colour p. 691.

Old Masters Day Sale

|
London