Harmen van Steenwijck

Both pictures are on single uncradled oak panels, bevelled on all four edges. That with the fish has two extensions of 2 cm on top edge and 1 cm on bottom edge whilst that with the fruit has an extension of 3 cm on the top edge, as both the brushwork and the bevelling run across these joins these extensions appears to be contemporary. The paint surface of both panels is secure and in good condition under a somewhat yellowed varnish. Some discoloured old retouchings are visible to the naked eye, and in the catalogue illustration, in both paintings and just discernable under UV light although thorough inspection is impeded by the aforementioned varnish. Offered in matching gilt wood and plaster frames in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This fine and typical pair of still lifes by Harmen van Steenwijck have been dated by Dr. Fred G. Meijer to the artist's later œuvre, circa 1645. Dr. Meijer also notes their close relationship to a group of similarly late works in the Ashmolean Museum, Oxford.¹ A number of other late works include the same, or very nearly the same, earthenware jug.

1. See C. Casley et al., The Ashmolean Museum, Oxford 2004, pp. 214-15.