Southern German or Netherlandish, 17th century

stamped: 12754 twice on the reverse, and with remnants of an old label on the reverse inscribed: 3...

Overall the condition of the wood is good, with minor dirt and wear to the surface consistent with age. There are minor losses to both thumbs. The proper right index finger has been reattached and might possibly be a replacement. There are a few further very minor losses, notably one to the harp beside the scroll at the top. The object is composed of sections and a few stable joints are visible. There is an open joint or split between the figure at the bottom and the lectern. There is some minor evidence of past worming to the wood in areas. There is wear to the gilding and polychromy throughout, with some minor losses, including to the King's nose and his turban. The wood base is carved separately. Some of the strings of the harp are lost.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This beautifully carved figure of King David playing his lyre would probably have formed part of a pulpit or other ecclesiastical structure. While the use of limewood might argue for an origin in Southern Germany, stylistically the figure, and the ornamentation of the lectern, relate also to 17th-century Netherlandish sculpture. Compare, for example, the pulpit in the Nieuwe Kerke, Amsterdam, by Albert Vinckenbrinck (1605-1664) and a half-length Saint John the Baptist in the Rijksmuseum (inv. no. N.M.9282). 

RELATED LITERATURE
J. Lauwenberg (ed.), Beeldhouwkunst in het Rijksmuseum, cat. Rijksmuseum, Amsterdam, 1973, p. 234