John Sell Cotman

This drawing remains in good condition. There are a small number of minor foxmarks visible. The work is not laid down.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This previously unrecorded drawing was engraved and included in Cotman’s important publication Architectural Antiquities of Normandy, published in 1822. Cotman made three tours of Normandy, in 1817, 1818 and 1820 and he spent more time in Caen than any other place. In this work, which is conceived in his typical clear light and refined technique, Cotman includes charming details such as four cannons that, with time, have sunken into the earth, and two men, on the right, who can be seen hauling away a heavy piece of masonry.