Lot 132
  • 132

Herman Henstenburgh

Estimate
8,000 - 12,000 GBP
bidding is closed

Description

  • Herman Henstenburgh
  • Still life with yellow dahlias, blue bindweed, white hellebore, red and pink peonies and other flowers on a ledge
  • Gouache over traces of black chalk on vellum;
    signed lower left:  H: Henstenburg. fec

Condition

Overall in good condition. Faint water stain lower right margin and two small stains in the upper left and right corners (from where the sheet was previously laid down). Small area of rubbing/abrasion in the petal of the red peony. Colours remain strong and vibrant
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Herman Henstenburgh was one of three notable still-life and natural history artists from Hoorn, who established that town as a centre for their very distinctive, highly detailed and decorative watercolor and gouache style.  All three also famously followed parallel careers as pastry-bakers.  The eldest of these artists was Johannes Bronckhorst (1648-1727), who was Herman Henstenburgh's teacher as both artist and baker.  The trio was completed by Herman's son, Anton Henstenburgh (1695-1781).

According to the near-contemporary chronicler, Johan van Gool, Henstenburgh started out by depicting birds and landscapes, and then broadened his repertoire after about 1695 to include flowers and fruit pieces.  Van Gool went on to explain the extraordinary richness of Henstenburgh's colors by claiming that the artist had invented a new type of watercolour.