Dvorák, Antonín

describing an unsuccessful performance of the work in Vienna, at the Gesellschaft der Musikfreunde, where the most learned critics were of the opinion that the whole work 'was good for nothing', but stating that he does not care about such matters, being satisfied and very proud of the English who understand him so well, relating that he conducted the same work in Budapest the previous week, where it pleased very much, each number being 'greatly applauded', informing him that The Spectre's Bride will be performed for the first time in Hungary next season, and that Saint Ludmila will be given next year; Dvorák also asks if he could send a copy of The Spectre's Bride and perhaps of Ludmila too to Bellovics, the conductor of the music society in Budapest, and to Max Schütz, the principal music critic in Pest, observing that 'it is an event [sic] of great significance for me', and enquiring solicitously after Mrs Littleton and Henry Littleton ("...The most learned critics of Vienna said unanimously: the whole St. Mater is good for nothing!...")

4 pages, 8vo (17.8 x 11.5cm), Prague, 1 April 1888, browning, small stain to second page, not affecting text

Apparently unpublished: not in the Korespondence a dokumenty ed. M. Kuna et al, volume 2 (1988).

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A good letter, in Dvorák's charming English, about three important choral works, the Stabat Mater (1876-77), the dramatic cantata The Spectre's Bride (1884) and the oratorio Saint Ludmila (1885-86). Dvorák's ties with England were of the greatest significance for him, the composer's positive reception there contrasting with that in Germany and Austria at the time, due to the current political situation. Alfred Littleton, at whose estate at Sydenham Dvorák spent much time, was co-owner of the publishing firm Novello, who brought out a number of Dvorák's works including both works mentioned in this letter.