Adrien-Jean Le Mayeur de Merprès

The work is in good condition overall as viewed with minor handling around the edges. There is evidence of gentle creases on the top right corner, middle section and the bottom part of the left margin. Upon very close observation, a tiny paint loss is visible on the arm of Ni Pollock and a very mild evidence of foxing throughout. No restoration has been found. Framed, under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The Belgian-born artist Adrien Jean Le Mayeur de Merprés was enchanted by the unsullied beauty he found in Bali during his first visit in 1929. Inspired by ‘everything in this little paradise’, the painter decided to migrate to the sun-kissed island in 1932. Within three years of living there, he married one of his young Balinese muses, the exquisite Legong dancer Ni Wayan Pollok Tjoeglik. Depictions of Balinese life and women – predominantly those of Ni Pollok – are arguably some of the artist’s most distinctive and signature works.

The present lot, Portrait of Ni Pollock and a Companion, is a charming example from Le Mayeur’s oeuvre as it displays his flair for depicting the female anatomy. The body language of the two figures, each inclining towards the other, invites the viewer to lean in closer, ultimately creating a more intimate experience. One sees through the eyes of the artist and garners feelings of admiration for the women, who are so in tune with their culture and natural milieu as they work on their weaving. The branches of flowers hanging in the backdrop and the fresh frangipanis in their hair echo the elegant floral motifs on Ni Pollock’s batik sarong.  The floral motifs construct a dream-like ambience; an ode to Le Mayeur’s love and sentiment for Bali.