Lot 230
  • 230

Yasmin Sison

Estimate
200,000 - 300,000 HKD
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Description

  • Yasmin Sison
  • Ebb and Flow
  • Signed, titled and dated 2008 on the reverse
  • Oil on canvas, in 2 parts

Provenance

Sotheby's Hong Kong, 6 October 2008, Lot 887
Acquired from the above sale by the present owner
Private Asian Collection

Condition

The works are in good condition overall. Examination under ultraviolet light shows no sign of restoration. Unframed, on a stretcher.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion 
Made constant cry, caused constantly a cry, 
That was not ours although we understood,  
Inhuman, of the veritable ocean.

The sea was not a mask. No more was she.  
The song and water were not medleyed sound  
Even if what she sang was what she heard,  
Since what she sang was uttered word by word.
It may be that in all her phrases stirred  
The grinding water and the gasping wind;  
But it was she and not the sea we heard."

 The Idea of Order at Key West, Wallace Stevens

One of the leading contemporary female Filipino artists, Yasmin Sison’s work explores the nexus between perception and reality, interplaying nature and man to produce bold, forward-thinking paintings. The present lot is one of Yasmin Sison’s most iconic pieces. It is a monumental commentary on the ambiguity of creative engagement, the relationship between the infinite and the particular, and the arduous process through which we create meaning.