In his works, Solomon illustrates various subjects in a state of silent tension with solemn facial expressions, further emphasized by the plain, chequered background surfaces. The monochromatic woodcut works are kept untitled to emulate the isolating ‘lack of political agency’ in Addis Ababa, which Solomon conveys as the conceptual theme in this series. His work has been in collections of Saatchi Gallery, Fondation Blachère, Wendy Lee, and Peter & Pascale Wheeler, among others.
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