Lot 68
  • 68

David Koloane

Estimate
5,000 - 8,000 GBP
bidding is closed

Description

  • David Koloane
  • Inner City II
  • signed and dated 2010 (centre right)
  • oil on canvas
  • 130 by 120cm., 51¼ by 47½in.
  • Painted in 2010

Provenance

Goodman Gallery, London
Acquired from the above by the present owner in 2013

Exhibited

London, Saatchi Gallery, Pangaea: New Art from Africa and Latin America, 2014, illustrated in the catalogue p. 60

Condition

The work is stretched but unframed. The canvas appears to be unlined. There are paintbrush hairs scattered throughout the work, which appear to be the artist's intent. Inspection under ultra violet light reveals no signs of retouching or repair. Overall, the work appears to be in good original condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The exploration of inner city life in the bustling city of Johannesburg during the apartheid era is central to David Koloane’s artistic practice. The artist firmly believes that apartheid could be characterized by the seizure of the ability to control one’s own physical space. Much of this was due to the many legislative roadblocks implemented by the South African government, which displaced people from their homes and restricted their movements within cities. Koloane saw his work during this period as a means by which to reclaim ownership of one’s space and the ability to freely move from place to place.

Born in 1938 in Johannesburg, the artist continues to live and work in the city, drawing inspiration from the cityscape around him. Known for depictions of larger groups of people, usually buzzing township life or chaotic commuters moving about the city, Koloane's work strikes a balance between being at once a representation of the harsh realities of apartheid but also a celebration of the collective human spirit.

This present lot is a perfect example of an expressionist work by Koloane. The artist uses bright colours and several short brush strokes to suggest the presence of a large and energetic crowd. Upon closer inspection, several abstracted figural shapes can be discerned amidst the mass of people as they make their way to their final destination. The geometric shapes rising above the crowd allude to the urban jungle of Johannesburg. Koloane’s gestural and lively brushstrokes echo the artist’s emotional reaction to the unfair treatment of the black inhabitants of Johannesburg during apartheid.