Lot 57
  • 57

Pieter Hugo

Estimate
18,000 - 24,000 GBP
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Description

  • Pieter Hugo
  • Garuba Yawu with Mora, Ogere-Remo, Nigeria
  • Digital C-Print, Edition 2/5 + 2 AP
  • 152 by 152cm., 60 by 60in.
  • Painted in 2007

Provenance

Yossi Milo Gallery, New York
Acquired from the above by present owner

Exhibited

New York, Yossi Milo Gallery, Pieter Hugo: The Hyena and Other Men, 2007 - 2008

Condition

This work appears to be in very good condition. Please note that the photograph has not been examined out of its frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Garuba Yawu with Mora, Ogere-Remo, Nigeria was photographed by South African artist Pieter Hugo as part of a 2007 series in Ogere-Remo. He travelled to Nigeria after learning about some men walking along the streets with a hyena in chains through local newspaper reports.

Pieter Hugo recounts his first encounter with the men in Abuja saying, ‘It turned out that they were a group of itinerant minstrels, performers who used the animals to entertain crowds and sell traditional medicines. The animal handlers were all related to each other and were practising a tradition passed down from generation to generation. I spent eight days travelling with them’.

Born in Johannesburg and raised in Cape Town, Pieter Hugo became interested in the traditions of African communities through his own struggles with identity. Fascinated by the stories of marginalised groups, his photography explores the varying representations of African collectives from taxi washers in Durban to honey gatherers in Ghana.

Pieter Hugo has been exhibited in solo shows at the Institute of Modern Art in Brisbane, Le Château d'Eau in Toulouse, the Australian Centre for Photography, and Foam Fotografiemuseum Amsterdam. He has also been included in group exhibitions at the ZKM Center for Art and Media Karlsruhe, Bass Museum of Art in Florida, Tate Modern, Calouste Gulbenkian Foundation, and the 27th São Paulo Biennial.