Lot 50
  • 50

Uzo Egonu

Estimate
12,000 - 18,000 GBP
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Description

  • Uzo Egonu
  • Artist painting mother and child
  • signed and dated 1978 (lower right)
  • oil on canvas
  • 123 by 152cm., 48½ by 60in.
  • Painted in 1978

Condition

The canvas is unlined. There are small brown surface marks to the yellow background in the upper right quadrant. Examination under UV shows no evidence of retouch or repair. Overall this work appears to be in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Artist painting mother and child is a later work by Nigerian artist Uzo Egonu, painted during a period of physical and emotional agony. His partial blindness and deteriorating health prompted an introspective examination of his life. Stylistically, this painting is formed of abstract inspired bold patterns, simple linear detail, and broad flat areas.

A painting of an artist live-painting a mother who caresses her young child, this work is a personal reflection on Egonu’s short relationship which his mother. Egonu moved to England as a 13 year old boy when his father, an affluent British colonial civil servant, sent him to a private school (as most wealthy Nigerian families did at the time).

Decades afterwards, in the later part of Egonu’s life, he painted this work amidst a period of anxiety when he was occupied with questions of nation and identity. These thoughts formed the conceptual foundation for the ‘Stateless People’ series, in which this painting belongs.