In this untitled painting, the red background is compelling in emphasizing the emotions of grief, anger, and passion conveyed by the subjects. Here, the illustrated figures are positioned with their heads bowed down, and crouched knees. As a consistent theme in his body of work, Osaghae addressed topics of institutional corruption and injustice in Nigeria.
In his online obituary, Jess Castellote writes, 'No other Nigerian artist was able to portray so vividly the liveliness, complexity and vibrancy of Lagos life. Sometimes this was done just through a small “vignette” with one of two characters; other times it is a whole tableau of the city’s inhabitants. But it was always done with the confidence and self-assurance of a visual chronicler that happened to be an extraordinary draughtsman'.
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