Lot 109
  • 109

Circle of Simon Vouet

Estimate
15,000 - 20,000 USD
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Description

  • Simon Vouet
  • Saint Cecilia
  • oil on canvas

Condition

The painting appears to have been conserved relatively recently and is ready to hang. The canvas has a modern glue relining and the paint surface is was perhaps a little pressed in the process. The painting overall presents a strong, clear image beneath a clean varnish. There are some areas of mild abrasion in the background and in the flesh but the painting still reads very well. There is a filled line of restoration running the width of the canvas, through the sleeve and right hand, below the center which is visible in raking light. There is a possible area of overpaint to the right-most section of the organ. Inspection under UV reveals retouching to old losses and craquelure scattered throughout, a possible filled and restored hole in the corner of the scroll and strengthening to the lefthand edge. The painting is ready to hang in its current state. Offered in a decoratively carved black and gilt wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This composition follows that of Simon Vouet's original from circa 1626 in the Blanton Museum of Art, Austin. The painting was likely painted by a member of Vouet's Roman circle while the artist was active there from 1613-1627. An attribution to Charles Mellin (1600-1649), Vouet's close associate in Rome at the Accademia di San Luca, has also been suggested.