Jan van Neck

Anonymous sale, New York, Sotheby's, 7 April 1988, lot 172;
There acquired by the present collector. 

There is an old wax relining that is firm and stable. The paint surface has been generally well retained, though a bit pressed due to the relining process. This is more noticeable in the background at the right side and at extreme upper left corner where the paint surface is also a bit worn. Examination under UV light reveals a large horizontal area of retouching in the foliage at upper left over what appears to be a repaired tear. This extends into the left side of figure's hair. There are some scattered retouches on left side of his face and on neck. Others in foliage upper left and in architecture upper right. A few other smaller ones and more isolated here and there on costume and in background. The painting is presentable as is and further work is not necessary. Offered in a gilt wood frame with ornate carving at the corners.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Jan van Neck worked alternately in Enkhuizen and Amsterdam, where he trained with Jacob Backer until his death in 1651. In 1665, at the time of his marriage, he is recorded as living on the Keizersgracht in Amsterdam. The painter was especially active in the two decades from the mid-1660s to 1680s; the present work, dated 1693, is one of his last known paintings.