Lot 638
  • 638

MICHAEL LANDY, R.A. | We Leave the Scum No Place to Hide

Estimate
1,200 - 1,800 GBP
bidding is closed

Description

  • Michael Landy
  • We Leave the Scum No Place to Hide
  • framed: 137.5 by 47.5cm.; 54¼ by 18¾in.
signed and dated '94'ink on 4 separate sheets of paper, joined as oneThe career of Michael Landy (b.1963) has been driven by a series of notable installations. These have included Market (1990), Closing Down Sale (1992), Scrapheap Services (1996), Break Down (2001) and H2NY (2006), all of which engendered much documentation such as drawings, photographs, publications and videos. The present work belongs to a group of drawings made in relation to Scrapheap Services, a large-scale installation acquired by Tate in 1997. This was Landy’s most imaginative work in which he invented a waste-disposal firm with the object of cleansing society of undesirable members in a ruthlessly efficient way, while retaining a bright and sunny landscape as its visual logo and smartly uniformed workers. Thousands of cut-out figures (made from street rubbish) are swept up and fed into an alarming shredding machine called the ‘Vulture’. The group of highly detailed ink drawings, recording the work’s evolution and fabrication, remind us in turn of an obsessive ‘mad scientist’, a child’s delight in page-filling and a medieval monk illuminating a manuscript. All combine a comic riff on advertising with mordant social satire. They are unprecedented among works on paper by Landy’s YBA contemporaries.

Condition

The work is composed of four separate sheets of paper. The sheets are then affixed to the mount with tabs in each corner of the work and also in several other places throughout the work. There are minor undulations and faint creases to the sheet throughout. There is some time staining to the extreme edges of the sheet and the ink may have very slightly faded in keeping with the artist's materials. In addition there is a very small area along the left vertical edge in the lower third at the joint between two sheets where the ink has faded, this is most likely due to the adhesive used. There is tipex in several areas of the composition, consistent with the Artist's working method and materials. Subject to the above the work is in overall very good condition. The work is window mounted and held behind glass in a simple wooden frame. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.