Lot 172
  • 172

Nodder, Richard Polydore

Estimate
20,000 - 30,000 GBP
Log in to view results
bidding is closed

Description

  • A collection of ornithological watercolours. English, early nineteenth-century
  • Paper
3 volumes, folio (387 x 270mm.; the mounted sheets 230 x 160mm.), 236 drawings mounted on grey paper within a printed decorative border, the majority watercolour, a few pen and ink, several signed by the artist, later vellum-backed boards, occasional soiling

Condition

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Richard P. Nodder (fl. 1793–1820) was the son of Frederick Nodder, illustrator of The Naturalist’s Miscellany (see lot 246) and the Flora Rustica. It seems natural history illustration was a family business, as his wife Elizabeth and son Richard seem to have been responsible for later plates in The Naturalist’s Miscellany, attributed to “Nodder and Co.” Richard Nodder, according to ODNB, was “a gifted painter who exhibited a number of animal subjects at the Royal Academy and won the title botanic painter to George III”.