Given the amplitude of these ambitious Parisian canvases, visual structure and chromatic freedom dominate the composition. The spectator, once a passive receptor, emerges as an active participant engulfed by large organic worlds filled with internal explosions. This is a “kingdom in ecstatic bloom: strenuous shoots, dazzling pistils and humming bumble-bees, all in gorgeous colours."
Ingemar Gustafson, Matta, 15 Forms of Doubting, Moderna Museet Stockholm, 1959, p.30
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