Lot 224
  • 224

Tsuguharu Foujita

Estimate
80,000 - 120,000 USD
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Description

  • Léonard Tsuguharu Foujita
  • Fillette au chat
  • Signed Foujita f (lower left)
  • Oil on canvas
  • 7 1/8 by 5 5/8 in.
  • 18 by 14.2 cm

Provenance

Wally Findlay Galleries, Chicago
Acquired from the above circa 1955

Condition

The canvas is unlined. When examined under UV light, There is a minor stroke of retouching to the lower right edge of the canvas and a small group of pin-dot touches to the upper right quadrant. There is very minor crazing to the paint surface to the right of the figure in the background. The varnish is a little yellow and would benefit from a light clean. Otherwise fine, the work is in excellent condition condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Tsuguharu Foujita, known as Léonard in his adopted country of France, was born in Tokyo and took his initial instruction as a painter at the Tokyo School of Fine Arts in 1905. It was not until 1913 that Foujita first traveled to Paris and became acquainted with many of the foremost painters of the twentieth century, including Picasso, Modigliani and Soutine. These key figures impressed upon the artist the expressive possibilities of the human form, and alongside them he swiftly became a leading member of the École de Paris. 

After traveling extensively in Latin America, he was welcomed back to Japan a celebrated artist and worked for several years as a war painter for the government. In the spring of 1950, he returned to Paris and enjoyed the same success as he had during "les années folles." Galerie Pétridès celebrated the artist's Parisian Renaissance with an exhibition that very year and continued to show his new paintings every two years. The present work was painted during this period and exemplifies the multitudinous inspirations the artist encountered, including Italian Renaissance madonnas. This playful composition's bright colors are contrasted with the characteristic white ground.