151
151

PROPERTY FROM A PROMINENT INTERNATIONAL COLLECTOR

Auguste Herbin
LA MARNE AUX ENVIRONS DE MEAUX
Estimate
80,000120,000
LOT SOLD. 348,500 USD
JUMP TO LOT
151

PROPERTY FROM A PROMINENT INTERNATIONAL COLLECTOR

Auguste Herbin
LA MARNE AUX ENVIRONS DE MEAUX
Estimate
80,000120,000
LOT SOLD. 348,500 USD
JUMP TO LOT

Details & Cataloguing

Impressionist & Modern Art Day Sale

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New York

Auguste Herbin
1882 - 1960
LA MARNE AUX ENVIRONS DE MEAUX
Signed Herbin (lower right)
Oil on canvas
21 5/8 by 18 1/8 in.
55 by 46 cm
Painted in 1904. 
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The authenticity of this work has been confirmed by Geneviève Claisse.

Provenance

Wilhelm Uhde, Paris (acquired directly from the artist and sold: Hôtel Drouot, Paris, May 30, 1921)
Sale: Christie's, New York, November 7, 2001, lot 151
Acquired at the above sale 

Catalogue Note

La Marne aux environs de Meaux is a shimmering vision of a painting showcasing Herbin at the beginning of his involvement with the Fauve movement. It combines deft brushwork with a sensitive and emotive use of color. Having started his career by working in an Impressionist and then Divisionist style, Herbin fully embraced Fauvism by 1906, exhibiting alongside André Derain, Georges Braque and Maurice de Vlaminck at the 1907 Salon des independents. In this 1904 oil, he demonstrates mastery of the Divisionist technique, using a delicate palette of silvery blues and greens, flecked across the horizon with more vivid flashes of salmon pink, vermillion and cobalt blue. He frequently painted along the river Marne and another of his paintings in the sale, lot 216, depicts this tributary to the river Seine in 1908 further downstream, closer to Paris at Creteil.

Here we see a device the artist frequently employed during this period—the placement of the horizon line so as to bisect the composition. This has the disorientating effect of locating the viewer in the middle of the river. The steam rising from the boat at the center of the composition contributes to an atmospheric effect, while the hazy reflection in the water serves to heighten the abstract qualities of the canvas. The following years would see the artist move into the famed Bateau Lavoir studios in Paris and work alongside artists Pablo Picasso, Georges Braque and Juan Gris to rapidly evolve his style through Cubism, ultimately becoming a founding member of the Abstraction-Création movement. This lyrical canvas finds him poised on the edge of Fauvism and at the beginning of an extraordinary journey into the science of color and its emotive qualities.

Impressionist & Modern Art Day Sale

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New York