Lot 6
  • 6

Vilmos Huszár

bidding is closed

Description

  • Vilmos Huszár
  • Composition
  • Watercolor and pencil on paper
  • 7 1/2 by 5 3/4 in.
  • 19 by 14.6 cm

Provenance

Galerie Stolz, Berlin
Private Collection, Germany (acquired circa 1986)

Exhibited

Cologne, Galerie Stolz, Formen auf weissem Grund, Konstruktivismus und geometrische Kunst, 1986, no. 56
Winterthur, Kunstmuseum Winterthur, Verschmelzendes Rosa und Schwarze Spannung: Werke des osteuropäischen Konstruktivismus aus einer deutschen Privatsammlung, 2001, illustrated in the catalogue
Schwerin, Staatliches Museum & Bonn, Kunstmuseum, Von Kandinsky bis Tatlin: Konstruktivismus in Europa/From Kandinsky to Tatlin: Constructivism in Europe, 2006, illustrated in the catalogue
St.-Paul-de-Vence, Fondation Maeght, L'abstraction en Europe: Le choix d'un collectionneur allemande, 2011
Münster, Kunstmuseum Pablo Picasso, Die Revolution entlässt Ihre Bilder - Von Malevich bis Kandinsky, 2014, no. 11, illustrated in the catalogue

Condition

Executed on cream wove paper. The sheet is hinged to a window mat at upper corners on verso. The front of the sheet is slightly time darkened with a few scattered studio stains. The edges are unevenly cut all around and there are some remnants of prior tape around the edges on the verso but overall the work is in very good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.