- 141
Middle East, probably Anatolia
Estimate
15,000 - 20,000 GBP
bidding is closed
Description
- Carved Calligraphic Panel
- wood with traces of polychrome paint
- 21 by 66cm., 8 1/4 by 26in.
carved in deep relief with inscription in muhaqqaq script between entwined split-palmettes
Provenance
Sotheby's, London, 9 April 2014, lot 118
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
inscriptions
al-Din Tâj al-Islâm
Religion is the crown of Islam
The overall effect of the decorative elements of this panel, notably the inscription carved in deep relief between stylised split-palmettes, is visually comparable to the stylistic designs seen on the facades of certain Seljuk monuments in Konya dated to the second half of the thirteenth century, notably, the Iwan of the Ince Minareli Madrasa (Giovanni Curatola, L'Art Seljoukide et Ottoman, Paris, 2010, pp. 36-43) and (Gedad Hakki Eldem, Türk Mimari Eserleri, Works of Turkish Architecture, Istanbul, 1970, pp. 53-55).
al-Din Tâj al-Islâm
Religion is the crown of Islam
The overall effect of the decorative elements of this panel, notably the inscription carved in deep relief between stylised split-palmettes, is visually comparable to the stylistic designs seen on the facades of certain Seljuk monuments in Konya dated to the second half of the thirteenth century, notably, the Iwan of the Ince Minareli Madrasa (Giovanni Curatola, L'Art Seljoukide et Ottoman, Paris, 2010, pp. 36-43) and (Gedad Hakki Eldem, Türk Mimari Eserleri, Works of Turkish Architecture, Istanbul, 1970, pp. 53-55).