- 8
Marie Laurencin
Estimate
3,000 - 5,000 EUR
Log in to view results
bidding is closed
Description
- Marie Laurencin
- Autoportrait à la tresse et au col croisé, 1911
- watercolour and charcoal on paper
- Signed Marie Laurencin and dated 1911 lower right
- 26,4 x 20,4 cm; 10 3/8 x 8 in.
Provenance
Maître Ferri, Paris, March 9, 1994, lot 10
Exhibited
Tokyo, Isetan, Marie Laurencin, July 1 - 11, 1978, no. 63
Tokyo, Tokyo Art Institute, Le Bateau-Lavoir et La Ruche, Montmartre et Montparnasse, 1994
Paris, le Musée du Montparnasse, Il était une fois des femmes à Montparnasse, April - September 2012
Chilleurs-aux-Bois, Château de Chamerolles, Femmes artistes. Passions, Muses et Modèles, June 2 - September 2, 2012
Tokyo, Tokyo Art Institute, Le Bateau-Lavoir et La Ruche, Montmartre et Montparnasse, 1994
Paris, le Musée du Montparnasse, Il était une fois des femmes à Montparnasse, April - September 2012
Chilleurs-aux-Bois, Château de Chamerolles, Femmes artistes. Passions, Muses et Modèles, June 2 - September 2, 2012
Literature
Marie Laurencin, exhibition catalogue, Tokyo, Isetan, July 1 - 11, 1978, illustrated
Le Bateau-Lavoir et La Ruche, Montmartre et Montparnasse, exhibition catalogue, Tokyo, Tokyo Art Institute, 1994
Daniel Marchesseau, Marie Laurencin, Catalogue raisonné de l'œuvre Vol. II Peintures Céramiques Œuvres sur papier, Paris, 1999, no. PP.0218, illustrated p. 325
Sylvie Buisson, Femmes artistes, Passions, Muses, Modèles, Paris, 2012, illustrated p. 89
Le Bateau-Lavoir et La Ruche, Montmartre et Montparnasse, exhibition catalogue, Tokyo, Tokyo Art Institute, 1994
Daniel Marchesseau, Marie Laurencin, Catalogue raisonné de l'œuvre Vol. II Peintures Céramiques Œuvres sur papier, Paris, 1999, no. PP.0218, illustrated p. 325
Sylvie Buisson, Femmes artistes, Passions, Muses, Modèles, Paris, 2012, illustrated p. 89
Condition
Executed on cream wove paper, not laid down, taped to the overmount on five points to all four corners and to the centre of the lower edge. The right edge is deckled. There are four artist pinholes to the right and left parts of the upper edge and to the centre of the upper edge. There is some adhesive remnants to the right and left part of the upper edge. There are a few scattered faint creases notably to the upper part of the left edge. There is a spot of foxing to the lower left corner and a few additional flecks of foxing in places. The sheet is slightly light stained. This work is in good original condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."