79
79
Maurice Denis
FEMMES ASSISES EN FORÊT, 1894
Estimate
100,000150,000
LOT SOLD. 118,750 EUR
JUMP TO LOT
79
Maurice Denis
FEMMES ASSISES EN FORÊT, 1894
Estimate
100,000150,000
LOT SOLD. 118,750 EUR
JUMP TO LOT

Details & Cataloguing

Ginette et Alain Lesieutre, Collection Privée

|
Paris

Maurice Denis
FEMMES ASSISES EN FORÊT, 1894
oil on canvas
Monogrammed MAVD and dated 94 lower left
32 x 55,1 cm; 12 5/8 x 21 3/4 in.
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Provenance

Georges Moreau (acquired directly from the artist in 1894)
Maître Sineau, M. Gout-Werner, Auxerre, April 7, 1991

Exhibited

Paris, Huguette Berès, Maurice Denis 1870-1943, 1992, no. 32

Literature

Maurice Denis 1870-1943, exhibition catalogue, Paris, Huguette Berès, Paris, 1992, illustrated

Catalogue Note

This work will be included in the forthcoming Catalogue raisonné de l'œuvre de Maurice Denis being prepared by Claire Denis and Fabienne Stahl.

In 1984, the date of the present painting, Denis had recently moved with his new wife Marthe Meurier to Montrouge Villa in Saint Germain-en-Laye where the painter had set up his studio. The subject of the woman in the forest refers to one of the classic themes of Nabi paintings. In these woods surrounding Saint Germain-en-Laye can be found the echo of the Breton woods in Pont-Aven and in particular the “Bois d’Amour”, the subject of the famous Talisman by Paul Sérusier and founding work of the Nabi movement.

The nude women on the left are drawn from the Symbolist world whilst the woman in a dress refers to the painter’s fascination for everyday activities which became one of his main subjects in the 1890s. It was moreover in 1894 that Marthe became pregnant which triggered the famous maternity and visitation series.

In Femmes assises en forêt, the ambiguity is deliberate: are the nude women real people or apparitions arising from the reader’s thoughts? The scene is mysterious, and the role of the silhouettes occupying the back of the woods is difficult to determine. Evidently, a symbolist dimension endures: the typically Nabi decorative elements unify the composition and contribute to the specific atmosphere of Maurice Denis’s work. A certain displaced classicism and the artist’s growing fascination with intimate subjects characterize this composition.

Ginette et Alain Lesieutre, Collection Privée

|
Paris