Lot 85
  • 85

Montague Dawson R.S.M.A., F.R.S.A.

Estimate
50,000 - 70,000 USD
Sold
56,250 USD
bidding is closed

Description

  • Montague Dawson R.S.M.A., F.R.S.A.
  • The Red Jacket on Open Seas
  • signed MONTAGUE DAWSON (lower left)
  • oil on canvas

Provenance

Frost & Reed, Ltd., London (acquired directly from the artist, January 23, 1937, no. 6937)
Property of a Private Collector (and sold, Christie's, New York, February 1, 2006, lot 292, illustrated)
Quester Gallery, Stonington, Connecticut
Private Collection, Michigan

Catalogue Note

Built in Maine by George Thomas and launched in November 1853, Red Jacket remains one of the fastest ships ever built.  She was named for the Seneca chief Red Jacket (Sagoyewatha, or "he that keeps them awake"), from the Genesee River Valley. The ship’s figurehead was a magnificent life-size carving of Sagoyewatha, complete with his namesake red jacket, given to him by the British, and a feather headdress.

Her maiden voyage is among the most famous in the history of clipper ships. Captain Asa Eldridge, a Yarmouth, Cape Cod skipper and an internationally recognized navigator, was in command when she left New York on January 11, 1854, bound for Liverpool. Despite the treacherous winter storms of the North Atlantic, with snow, hail or rain every day, the Red Jacket tore along, determined to reach her destination. She cast her anchor in Liverpool Harbor exactly 13 days, 1 hour and 25 minutes later, a record-smashing run that remains unbroken today, making her one of the seven fastest sailing ships in history. After a number of additional record breaking trips to Australia between 1854-1860 under the charter of the White Star Line, Red Jacket joined the clippers Marco Polo and Donald McKay carrying timber between London and Quebec, eventually ending her career in the Cape Verde islands in the 1880s as a coaling hulk. 

Completed in 1937, this portrayal of Red Jacket cutting gracefully through the waves of an open sea is a testament to this ship’s legacy as one of the most majestic American clippers to ever set sail and demonstrates why Dawson's depictions of clipper ships are among the most celebrated paintings of his career. 

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