Lot 13
  • 13

Adolphe Alexandre Lesrel

Estimate
25,000 - 35,000 USD
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Description

  • Adolphe Alexandre Lesrel
  • L'Aurore
  • signed A. LESREL. and dated 1868. (lower right)
  • oil on canvas
  • 36 1/2 by 23 7/8 in.
  • 92.7 by 60.6 cm

Provenance

The artist
Thence by descent in the family
Acquired from the above by the present owner

Condition

Unlined. On the reverse of the canvas there is a ¼ by ¼ inch patch on the upper left and a 3 by ¼ inch patch at the lower center. A faint horizontal stretcher bar mark is visible at center. Widely patterned and stable craquelure visible, particularly noticeable in the upper half. Under UV: inpainting in figure's upturned arm and in her proper left leg that correspond to aforementioned patches. Isolated strokes of finely applied inpainting to address craquelure in her body and face. Additional pindots and thin dashes of inpainting in the right sky, in the billowing fabric, and in the hair of the putto. Concentrated area of thin lines in the lower left corner with a corresponding area of reinforcement on the reverse.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

While the primary version of L'Aurore was exhibited at the 1868 Salon in Paris, and immediately bought by the State, at the Musée des Beaux-Arts in Saint Lô, it was destroyed during World War II.  The present work, a variant of the Salon composition, was also completed in 1868, pointing to the popularity of this evocative composition.