Pablo Picasso

Alexander Iolas, Paris (acquired directly from the artist in 1971)
Acquired from the above by the present owner in 1974

Christian Zervos, Pablo Picasso, Œuvres de 1971-1972, Paris, 1954, vol. 33, no. 151, illustrated pl. 57
The Picasso Project, ed., Picasso’s Paintings, Watercolors, Drawings and Sculptures, The Final years, 1970-1973, San Francisco, 2002, no. 71-256, illustrated p. 206

The card is sound and not laid down. The work is hinged to the overmount at the upper corners of the verso. The upper edge is deckled. There are sinuous flattened creases in places, notably running vertically from the centre of the upper edge, across the upper left corner and running horizontally from the centre of the right edge. There is a small nick to the upper right edge. The card is slightly time stained and there are remnants of old framers tape along the edges of the verso, not visible when framed. This work is in overall good condition.
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Powerfully visceral yet oddly sensual, Nu (Nude) was created as Pablo Picasso moved towards the end of his astonishingly productive creative life. While his own physical stamina may have waned by this point, Picasso’s focus on erotic subjects in his paintings and drawings only increased during his later years, and he executed his chosen subjects with remarkable passion and intensity.

 

‘I have less and less time and I have more and more to say’, Picasso commented in his last decade (quoted in Klaus Gallwitz, Picasso Laureatus, Lausanne & Paris, 1971, p. 166). In both style and subject matter, the present work reveals the freedom and spontaneity which Picasso permitted himself to embrace in his later work. Picasso here depicts the nude resting languorously against the cushions, devoted entirely to her own pleasure yet unabashedly meeting the onlooker’s gaze. Her pose echoes that of Gustave Courbet’s celebrated L’Origine du monde, in which a woman’s sexuality is unashamedly glorified. Ultimately, Nu (Nude) serves as a superb illumination of Picasso’s blatant celebration of female eroticism, a theme which stands as arguably the fundamental cornerstone of his most significant works throughout his career.