Forging a very otherworldly skin-like or patterned shell, Pierre Sabatier produced the two panels in silver and tin on pressed brass. By way of polishing, beating and coating, the two metal canvases bear the marks of a process generating repeated industrial dents that produce a powerful collision between the man-made and the scale-less landscapes of Sabatier’s favoured material. The imposing pair were produced for the AXA Tower in Paris, France and underline the contrast between the primal mineral nature of the metals in use and the way in which the artist wished to reveal their constant and multiple shifting states.
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