Barbro Nilsson

Overall very good condition consistent with age and gentle use. Some of the tassels, about 9, have been partially restored to the right bottom corner, not visually distracting. Please note that the image in the catalogue has been cropped.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Barbro Nilsson became artistic director of the Märta Måås-Fjetterström after Märta Måås passed away in 1941. She was a very skilled and established weaver as well as an artist. In 1943 she introduced a new technique to the studio, named gobelängteknik. The gobelängteknik is inspired by the way traditional tapestries are woven, but is executed in a way that makes for a durable and usable carpet. This allows for freer forms in a flat weave rug compared to the traditional rölakan technique. Barbro Nilsson’s first design in her newly invented technique was Snäckorna, inspired by the sea. One Snäckorna was acquired by Nationalmuesum, Stockholm. 

- Martin Chard, Märta Måås-Fjetterström AB