ITALIAN SCHOOL, LATE 18TH – EARLY 19TH CENTURY POSSIBLY A FOLLOWER OF CLEMENTE SUSINI (1754-1814)

the naturalistically modelled wax head divided vertically into two halves, the left showing a skull with a hollowed eye socket and an extensive network of cranial nerves, the other half flayed revealing muscles and the eye, all raised on a rounded pedestal

It is in overall good condition with some typical stains, adhesions, minor scratches, occasional dents and small chips. There is also wear to some pigments with slight retouching at areas, especially to the brown muscles.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present wax head appears to have been originally produced as an anatomical model. These sculptures were produced in vast quantities, and were in great demand as visual aids for medical students in the eighteenth century. A number of these is now housed in the museum of La Specola in Florence, which was once the workshop of the Natural History Museum. Joseph II, the Holy Roman emperor, was a great admirer of these naturalistic models when he visited the museum in 1780, and ordered a set of his own.

The tradition of creating realistic wax anatomical sculptures was first started by Giuseppe Ferrini in 1771. Nevertheless, it was the Italian sculptor, Clemente Susini, who epitomises the realism of these vividly accurate models. The models were based in part on anatomical drawings, and in part on corpses dissected by anatomists such as Felice Fontana and Paolo Mascagni. Susini’s works were housed in many European collections, including the Collezione delle Cere Anatomiche di Clemente Susini in Cagliari. A similar example was also amongst the collections of the Science Museum, London (fig. 1).

Although originally used as an educational figure of anatomy, the present model was later installed on a pedestal possibly to create a memento mori. From the sixteenth century, skulls were commonly used as memento mori (‘Remember death’) as they symbolise the transience of human life. They were also known as 'Vanitas' from the reference in the Book of Ecclesiastes (1.2) to "vanity of vanities, all is vanities."