- 859
Hidenori Yamaguchi
Description
- Hidenori Yamaguchi
- Crossroad: Okachimachi
- ink on paper, framed
marked with one seal of the artist
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
In the present lot Traffic, Yamaguchi captures a daytime train arriving at the aboveground Okachimachi station and depicts a densely crowded street scene below the tracks, tightly nestled between high-rise buildings of the Tokyo metropolis. His paintings demand a significant amount of time to be completed, which is consistent with his unwavering commitment to detail. As Yamaguchi states, “mastering techniques is one way to respect the accumulated layers of tradition.”1 Drawing upon rinsho imitation methods, he paints with a fine brush on many layers of thin, almost translucent paper, so as to imbue the desired image with an antique glow. Traditional ink paintings depict natural landscapes composed through the idealized lens of the imagination; adversely, Yamaguchi captures photorealistic moments at the very intersections of urban landscapes, composed with nostalgia-inducing vintage filter effects.
1 Steer, Emily. 5 Questions: Surface Tension at White Rainbow. Elephant, 24 Sept. 2015, elephantmag.com/5-questions-surface-tension-at-white-rainbow/. Web.