Zhu Wei

painted in 2001
signed, titled, and with eight seals of the artist

Plum Blossoms, Hong Kong
Red Rock Studio Collection

Overall in very good condition. Framed with acrylic: 151.3 by 84.5 cm; 59⅝ by 33¼ in.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Born in 1966, Zhu Wei was raised in Beijing by a family with close military affiliations. As a child he was constantly exposed to the conflict within the politically charged atmosphere of the Cultural Revolution—an inherent influence of his art. Often characterized for his quick wit and literary satire, Zhu infuses his art with astute observations of cultural identity and political tension.

In Great Sweet Potato No.1, Zhu creates an oversized portrait of the vegetable as an object of veneration. Mounted with his signature red silk border, the painting features a larger-than-life brightly colored yam, rendered with great detail against a backdrop painted in a traditional Chinese style for signifying water. By repeatedly rinsing and soaking xuan paper with colour washes, as well as applying various textures to achieve a rippled and antiqued surface, Zhu demonstrates a mastery of technique and offers an homage to tradition. However, the composition and colouring of the image overall is what reveals his acerbic wit; wherein the staple food is reimagined as a commodity and source of spiritual sustenance. Moreover, it is uncanny how the general shape and tonal gradations mirror the topology of the island of Taiwan.