Lot 220
  • 220

Louise Lawler

Estimate
35,000 - 45,000 USD
Log in to view results
bidding is closed

Description

  • Louise Lawler
  • Untitled
  • signed, dated 1990 and numbered 3/5 on the reverse
  • Cibachrome print
  • 40 by 50 in. 101.6 by 127 cm.

Provenance

Galerie Yvon Lambert, Paris
Metro Pictures, New York
Sotheby's, London, 29 June 2000, Lot 2
Private Collection
Christie's, London, 15 February 2012, Lot 369
Acquired from the above sale by the previous owner

Exhibited

Paris, Galerie Yvon Lambert, Louis Lawler à vendre, September - October 1990

Condition

This work is in very good condition overall. The print is mounted to a foam core backing board. Only visible when unframed, there is very minor rubbing along the perimeter due to the frame. Under close inspection and with raking light, there are a few very minor scattered accretions to the surface. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"The fates of the artworks that appear in Lawler’s photographs recall those of the figures in Ovid’s Metamorphoses: they are constantly being transformed, so that nothing remains of their prior existence, but they retain their names and their positions in the narrative, in the arrangement.”

Diedrich Diederichsen, "More Jokes about Autonomy and the Private Sphere" in: Exh. Cat., New York, The Museum of Modern Art, Louise Lawler: WHY PICTURES NOW, 2017, pp. 78-79