This work is in very good condition overall. The canvas is unlined. There are variations in pigmented surface, due to the artist’s working method and choice of medium. Upon very close inspection, there are a few scattered areas of hairline, stable craquelure, particularly in the areas of white pigment at the upper center. Also under close inspection, there are a few unobtrusive areas of flattened impasto. There is evidence of very light wear to the 4 corners of the work. Under Ultraviolet inspection, there is no evidence of restoration. Unframed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.