This work is in good condition overall. The sheet is hinged on the reverse to the backing board in several locations. The edges of the sheet are unevenly cut do to the artist's working method. The sheet undulates slightly due to the artist’s choice of medium. There is notable hairline craquelure to the upper, blue potion of the composition, with a few associated pinpoint pigment losses. There is light handling and minor wear throughout with some associated pigment losses and scattered minor accretions, particularly along the edges of the work. Framed under Plexiglas. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.