Lot 61
  • 61

Lisa Milroy

Estimate
30,000 - 40,000 GBP
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Description

  • Lisa Milroy
  • Painting Fast, Painting Slow
  • each: signed, titled and dated 2004 on the overlap
  • oil, acrylic and paper collage on canvas, in four parts
  • each: 246 by 170 cm. 98 3/4 by 67 in.

Provenance

Alan Cristea Gallery, London
Acquired from the above by the present owner

Exhibited

Paris, Galerie Xippas, Lisa Milroy, September - October 2005
London, Royal Academy of Arts, Summer Exhibition, June - August 2006

Literature

Exh. Cat., London, Alan Cristea Gallery, Lisa Milroy, Painting Fast Painting Slow, September - October 2005, n.p., illustrated in colour (and on the cover)

Condition

Colour: The colours in the catalogue illustration are fairly accurate. Condition: This work is in very good condition. Very close inspection reveals thin and unobtrusive drying cracks in places to the black paint. Further close inspection reveals a small nick to the second panel, 20 cm above the lower right corner. No restoration is apparent when examined under the ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"These days, I’m preoccupied with how to combine fast and slow painting. The pleasure of linking a mental image with the right material form remains undiminished, but it’s no longer shaped by just one mode of painting. It’s a relief to be able to match better the nuances of mood or state of mind I may feel or be interested in with options from a wider range of working methods."

Lisa Milroy

quoted in: Interview with Lewis Biggs, 'Lisa Milroy, Painting Fast, Painting Slow’, artist's website, 2011, online