418
418
Oscar Murillo
UNTITLED (FRITANGA MIXTA)
Estimate
150,000200,000
LOT SOLD. 200,000 USD
JUMP TO LOT
418
Oscar Murillo
UNTITLED (FRITANGA MIXTA)
Estimate
150,000200,000
LOT SOLD. 200,000 USD
JUMP TO LOT

Details & Cataloguing

Contemporary Art Day Auction

|
New York

Oscar Murillo
B. 1986
UNTITLED (FRITANGA MIXTA)
signed and dated '12 on the overlap
oil, oilstick, spray paint and soil on canvas
72 by 62 in. 182.9 by 157.5 cm.
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Provenance

Stuart Shave Modern Art, London
Acquired from the above by the present owner in 2012

Catalogue Note

"In most parts there is this mark making that happens with a broomstick and oil paint. I make a bunch of those canvases, fold them in half, and put them on the floor. My studio is a cradle of dust and dirt, of pollution. I don’t tidy up at the end of each production process. It’s all very much on purpose; it’s a continuous process, a machine of which I’m the catalyst. Things get moved around, I step on them, and they get contaminated. It’s not about leaving traces, it’s about letting things mature on their own." Oscar Murillo

Oscar Murillo’s artistic practice is deeply intertwined with his origins growing up in the small mountain-side town of La Paila in South East Colombia. Rather than being exposed to a traditional Western art education, Murillo appropriated his experiences from the streets, the local industry of sugar cane production as well as encounters with his family and friends, all of which have provided a strong catalyst to explore the conjunction of different materials and mediums. After moving to London, the artist encountered an entirely different culture yet remained closely linked to his origins. Cleaning office buildings at night in the city of London alongside fellow Colombians, Murillo began to incorporate the tools of his trade into his process of art production. For example, Murillo detached a broomstick from its conventional role as cleaning product, instead appropriating it as an instrument with which he could form, with some irony, winding, disorderly, tactile marks amongst the chaotic pollution of his studio floor. Often spending the nights in his studio indefatigably reading, painting, and experimenting, Murillo’s excessive working practice is somewhat reminiscent of Louise Bourgeois, in particular her Insomnia Drawings created at night time and in the early hours of dawn. In both cases, the creative output is evidence of a kind of incredible creativity fueled by wakeful anxiety.

Contemporary Art Day Auction

|
New York