Lot 250
  • 250

Andy Warhol

Estimate
300,000 - 400,000 USD
Log in to view results
bidding is closed

Description

  • Andy Warhol
  • Nancy Glenn [Two Works]
  • each signed and dated 83 on the overlap 
  • acrylic and silkscreen ink on canvas 
  • each: 40 by 40 in. 101.6 by 101.6 cm.

Provenance

Acquired directly from the artist by the present owner 

Condition

Pink: This work is in very good condition overall. There is evidence of wear and handling along the edges most notably several scuffs on the extreme right edge. There are several pinpoint brown media accretions in the upper quarter of the right edge and a pinpoint accretion approximately 4-inches to the left of the bottom of the figure’s lip. Under ultraviolet light inspection, there is no evidence of restoration. Unframed. Yellow: This work is in very good condition overall. There is evidence of wear and handling along the edges. The extreme edges of the canvas are lightly soiled. Under very close inspection, there is a small scuff in the lower left corner and a scuff just left of the center of the figure’s neck. Under Ultraviolet light inspection, there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"Warhol’s upward mobility was supersonic. Instead of getting the super stars' photo from movie magazines or the Sunday color supplement, he himself quickly invaded their society on equal terms, and could be begged by prospective sitters to turn his own Polaroid camera on their fabled faces in both public and private moods. He had become a celebrity among celebrities, and an ideal court painter to the 1970s international aristocracy that mixed, in wildly varying proportions, wealth, high fashion, and brains."

Robert Rosenblum, "Andy Warhol Court Painter to the 70s" in Exh. Cat., New York, Whitney Museum of American Art, Andy Warhol Portraits of the 70s, 1979, p. 15