Lot 212
  • 212

Park Seo-Bo

Estimate
450,000 - 550,000 USD
Log in to view results
bidding is closed

Description

  • Park Seo-Bo
  • Écriture No. 46-75
  • signed and titled in Hanja and English and dated 1975 on the reverse
  • oil and graphite on canvas 
  • 38 1/8 by 51 3/8 in. 97 by 130.5 cm.

Provenance

Private Collection, Asia
Hong Kong, Sotheby’s S|2, Avant Garde Asia - Lines of Korean Masters, March 2015
Acquired from the above by the present owner

Exhibited

Seoul, National Museum of Modern and Contemporary Art, 1st Contemporary Art Exhibition, December 1975

Condition

This work is in very good condition overall. There is evidence of very light wear and handling along the edges including several dents along the top and bottom edge. There are scattered media accretions and irregularities in the texture all presumably part of the artist’s working method and chosen medium. Under very close inspection, there is a thin, diagonal linear abrasion in the lower right quadrant that extends approximately 3 inches. Under ultraviolet light inspection, the aforementioned abrasion and several areas in the lower right quadrant fluoresce. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"Even though my paintings may represent an idea about culture, the main focus is always based on nature. In other words, I want to reduce the idea and emotion in my work, to express my interest in space from the view of nature. Then I want to reduce that—to pure emptiness. This has been an old value that still exists in oriental philosophy where nature and men are one.”
Park Seo-Bo