- 169
Joan Mitchell
Estimate
350,000 - 450,000 USD
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Description
- Joan Mitchell
- Composition
- signed
- oil on canvas
- 25 by 24 in. 63.5 by 61 cm.
- Executed circa 1957.
Provenance
Private Collection, New York
Martha Jackson Gallery, New York (acquired from the above in 1976)
Richard Gray Gallery, Chicago (acquired from the above in 1981)
Acquired from the above by the present owner in 1991
Martha Jackson Gallery, New York (acquired from the above in 1976)
Richard Gray Gallery, Chicago (acquired from the above in 1981)
Acquired from the above by the present owner in 1991
Condition
This work is in very good condition overall. Please contact the Contemporary Department at (212) 606-7254 for a professional condition report prepared by Terrence Mahon. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"In Mitchell's works...meaning and emotional intensity are produced structurally, as it were, by a whole series of oppositions: dense versus transparent strokes; gridded structure versus more chaotic, ad hoc construction; weight on the bottom of the canvas versus weight on the top; light versus dark chopping versus continuous brush strokes; harmonious and clashing juxtapositions of hue—all are potent signs of meaning and feeling...The gridded planes of color hover over and retreat form the surface of the canvas. And what colors they are: pink, oranges, a touch of vernal green, and then those streaks of hovering darkness that so often seem designed to disrupt ease of comfort or harmony in Mitchell's best canvases."
Linda Nochlin, "Joan Mitchell: A Rage to Paint" in Jane Livingston, Ed., Joan Mitchell, New York 2002, pp. 55-58
Linda Nochlin, "Joan Mitchell: A Rage to Paint" in Jane Livingston, Ed., Joan Mitchell, New York 2002, pp. 55-58