- 152
Jean-Léon Gérôme French, 1824 - 1904
Estimate
10,000 - 15,000 USD
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Description
- Jean-Léon Gérôme
- Bacchante al La Grappe
- signed JL GEROME and impressed SIOT-PARIS 529E
- gilt bronze
- height 37 5/8 in.
- 95.5cm
gilt bronze, signed JL GEROME and impressed SIOT-PARIS 529E
Provenance
Sotheby's London, 3 July 2012, lot 164 ($33,356)
Condition
In overall very good condition and presentation. Areas of discoloration and few traces of light oxidation visible, all consistent with age, handling and changes in atmospheric conditions.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Jean-Léone Gérome came to sculpture late in life. He exhibited his first sculpture at the Salon of 1878 at the age of 54. He was a close friend of the sculptor Emmanuel Frémiet and was even known to describe himself as a 'pupil of Frémiet' in the Salon catalogue. The present sculpture illustrates two of the artist's defining themes - a fanciful fascination with the antique and the colouration of sculpture. The painter worked closely with the Siot-Decauville foundry who were well known for their skill in producing multi-coloured patinas. Here a subtle red tone is seen in the Bacchante's hair.