An Irish George IV ebonised parcel-gilt fruitwood Harp, circa 1825, by John Egan

the brass plate to the top inscribed John Egan, 30 Dawson St, Dublin

In reasonable condition but would benefit from attention. With losses to the gilding, painted decoration and gilt gesso detail consistent withe age and use. The Harp is being sold as a decorative object and it will require attention from a specialist to restore it to working order. There is evidence that the strings are later - with some losses and snapped strings - and the pedals have been restored at some stage.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

John Egan was an Irish musical instrument maker heralded as the father of the modern Irish harp. Active between 1804 - 1830, Egan first began work perfecting the large scale European Pedal Harp, of which the present lot is a fine example. Egan then turned his attention to the innovation of the modern Harp, eventually inventing the Portable Irish Harp, examples of which can be found in the Royal Collection, London and the Metropolitan Museum of Art, new York.