Lot 145
  • 145

A pair of George I gilt-gesso and giltwood torchéres, first quarter 18th century, in the manner of James Moore

Estimate
10,000 - 15,000 GBP
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Description

  • giltwood
  • 108cm. high, 37cm. wide (top); 3ft. 6½in., 1ft. 2½in.
re-gilt

Condition

In reasonable restored condition. There is a repaired break to neck of one which is also missing a section to the neck. Re-gilt and possibly re-gessoed in areas. With minor chips and loses to gesso consistent with age and use. Would benefit from further conservation but an attractive pair regardless.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Inspired by French models, stands such as these were usually made as part of a ‘triad’, with a pier glass and table en suite. Royal cabinet-maker James Moore is recognised as the leading proponent of the gilt-gesso technique in the first quarter of the 18th century, having supplied pieces to Hampton Court, Blenheim Palace and Boughton house.  Interestingly, the square form of the present stands, broken with a foliate knop, can be found on a related pair of stands and a pier table by Moore which remain in the Royal Collection (RCIN 1102 and 1101.1-2), the design of which derived from classical Chinese high tables (see Ed. Desmond Shawe-Taylor, The First Georgians, London, 2014, p. 187, no. 101).