George Catlin (After)

The complete portfolio, comprising twenty-five hand-colored lithographs heightened with gum arabic, circa 1855, by Day and Haghe, printed on card mounted on board within ink-ruled frames, Reese's 4th issue, with text and title-page contained in the original linen-covered boards, each print framed *(5 prints examined out of frame) (25 prints)

The prints are in good condition, with strong colors. The majority with pale, inconspicuous fox marks in the backgrounds of the images. Some with a few inconspicuous spots of discoloration and stray ink, also in the backgrounds. Plate 4 ('Catching the Wild Horse') with a 1/4 inch tear at the upper right edge of the card. The mounts with scattered foxing and minor surface soiling throughout (recto and verso), not affecting the image. Faint time-stain at the extreme edges of the mounts, and faint light-stain evident at mat opening. Pin holes in the upper corners, and the corners are slightly worn, some with skinning. A few small abrasions and nicks at mount edges. (5 prints examined out the frame) The text sheets with soft handling creases throughout and occasional foxing (mainly at the outer sheets), the front and back cover toned overall and with scattered foxing. The boards worn, the cloth faded and fraying or worn away at edges, with surface soiling and stains throughout, the leather title lifting at one corner.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.Certificates of Authenticity: Various manufacturers may not issue certificates of authenticity upon request. Sotheby's is not under an obligation to furnish the purchaser with a certificate of authenticity from the manufacturer at any time. Unless the requirements for a rescission of the sale under the Terms of Guarantee are satisfied, the failure of a manufacturer to issue a certificate will not constitute grounds to rescind the sale. Gemological Certificates and Reports: References in the catalogue descriptions to certificates or reports issued by gemological laboratories are provided only for the information of bidders, and Sotheby's does not guarantee and accepts no responsibility for the accuracy, terms or information contained in such certificates or reports. Please also note that laboratories may differ in their assessment of a gemstone (including its origin and presence, type and extent of treatments) and their certificates or reports may contain different results.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.