Marcel Duchamp

Sale: Francis Briest, Paris, December 16, 2000, lot 149
Acquired at the above sale by Dr. Arthur Brandt

Boone, Turchin Center for the Arts, The Omnipotent Dream: Man Ray, Confluences and Influences, 2003, illustrated in the catalogue p. 22, listed p. 34

Arturo Schwarz, The Complete Works of Marcel Duchamp, London, 1997, vol. II, no. 608b, the lead original illustrated p. 843
Francis M. Naumann, Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, New York, 1999, no. 8.53, the lead original illustrated p. 239; fig. 9.36, the replica editions illustrated p. 278

Lovely silver patina. There are some minor surface scratches, consistent with age and handling. This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Conceived in 1964 in lead to serve as a drain-stopper in Duchamp's apartment in Cadaqués. The replicas were executed between 1967 and 1981-82 in 3 separate editions of 100: one edition in polished stainless steel, one in bronze and another in sterling silver, plus 12 artist's proofs (International Numismatic Agency). This example was executed circa 1981-82. Fittingly, Duchamp called the edition Medallic Sculptures.