AN INSCRIBED YIXING STONEWARE 'BAMBOO' STONE-DIPPER TEAPOT AND COVER QING DYNASTY, JIAQING – DAOGUANG PERIOD, INCISED BY QU YINGSHAO

of Ziye-form, superbly potted with sloping sides rising from three flattened circular feet, set with a short spout opposite an angled handle, above an indistinct impressed seal mark, the raised flattened cover set with a looped knop, carved to the exterior with a design of leafy bamboo extending onto the cover, incised with a four-character inscription translating to 'fragrant tea vessel' and signed Ziye chizeng ('presented by Ziye'), the reverse with nine-character inscription translating to 'Can not be without this bamboo teapot for one day', the base impressed with a square seal reading Hugong, the stoneware of a dark brown tone with fine golden speckles

Luen Chai, Hong Kong, 1978.

Tea, Wine And Poetry: Qing Dynasty Literati And Their Drinking Vessels, University Museum and Art Gallery, The University of Hong Kong, Hong Kong, 2006, p. 102, cat. no. 31.

Paul Moss, 'I-Hsing-Tea-Taste', Journal of the International Chinese Snuff Bottle Society, vol. 10, no. 3, September 1978, p. 11, fig. 20.

Good condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Qu Yingshao (1780-1849), zi Ziye, hao Yuehu, Qufu, Laoye, active in Shanghai in the Jiaqing and Daoguang periods, excelled at seal carving, appraising antiques, and painting bamboo. He was particularly successful in utilising Yixing teapots as a medium for fusing calligraphy and incised designs derived from painting, encapsulating the greatest achievements of the literati art approach to teapot making, superbly demonstrating the skills of the potter in achieving harmony of form in the teapot.

Qu Yingshao’s biography is outlined in Li Jingkang and Zhang Hong, A Pictorial Study of the Teapots of Yangxian, Hong Kong, 1937, where it is discussed how he mostly designed and commissioned teapots and then decorated them with his friend and fellow seal carver Deng Gui. ‘Teapots of good quality Qu Yingshao would personally inscribe and decorate with carved bamboo or prunus’.

In traditional Yixing connoisseurship, this classic ‘stone-dipper’ (shipiao) shape is commonly referred to as Ziye-form, after Qu Yinshao who innovated this iconic form, so versatile with its extended flat surface space, perfectly proportioned for the carefully positioned engraved calligraphy and painting. Another teapot of this form, made in collaboration with Qiao Zhongxi, formerly in Zhang Hong’s Bishan Huguang Collection and now preserved in the Bei Shan Tang collection, illustrated in Li Jingkang and Zhang Hong, A Pictorial Study of the Teapots of Yangxian, Hong Kong, 1937, p. 37, was included in the exhibition The Bei Shan Tang Legacy. Yixing Zisha Stoneware, Art Museum, The Chinese University of Hong Kong, Hong Kong, 2015, cat. no. 28. It shares the same distinct form and delicate fluency of incised bamboo decoration. Compare also another ‘ziye’ teapot made by Yang Pengnian and similarly incised with a design of bamboo by Qu Yingshao, sold at Bonhams Hong Kong, 24th November 2013, lot 103, from the collection of Mr and Mrs Jimmy Sha.

Compare also a ‘stone-dipper’ teapot by Qu Yingshao from the Collection of the Art Institute of Chicago, similarly incised with bamboo and calligraphy, illustrated in Terese Tse Bartholomew, I-Hsing Ware, China House Gallery, China Institute of America, New York, 1977, cat. no. 19; and  a closely related teapot incised by Qu Yingshao with bamboo and willow, from the collection of Max Robertson, illustrated in Paul Moss, Documentary Chinese Works of Art. In Scholar’s Taste, London, Sydney L. Moss Ltd., 1983, pl. 91.

For other Qu Yingshao teapots sold at auction, see the example formerly in the collections of Pang Yuanji and Thomas Lee, sold in these rooms 2nd June 2016, lot 31, from the Water, Pine and Stone Retreat collection, and another included in the exhibitions Yixing Pottery, Hong Kong Museum of Art, Hong Kong, 1981, cat. no. 62, and Arts from the Scholar's Studio, Hong Kong, 1986, cat. no. 107, subsequently sold in our Hong Kong rooms, 23rd October 2005, lot 135, from the Mary and George Bloch collection. For a bamboo painting by Qu Yingshao, see Bamboos and Rocks, inscribed and signed with a seal of the artist, sold at Christie's Hong Kong, 27th May 2013, lot 758, from the K.S. Lo collection.